Selección de obras del artista Brian Dettmer. Segunda parte.
Brian Dettmer, es un artista contemporáneo nacido en Chicago (1974), que actualmente vive y trabaja en Atlanta, Georgia. Es conocido por transformar libros y otros medios de comunicación antiguos, en detalladas e innovadoras esculturas.
Utilizando cuchillos, pinzas y herramientas quirúrgicas, Brian esculpe meticulosamente una página a la vez, sin quitar o reemplazar el contenido, trabajando con la organización interna de cada libro; como si se tratara de su losa de mármol, con maravillas por descubrir en su interior.
Sus obras han sido expuestas en varias galerías, museos y centros de arte internacionales, además se encuentran en varias colecciones públicas y privadas en todo los EE.UU., América Latina, Europa, Australia y Asia.
Este cirujano de libros, crea obras de arte alucinantes, que requieren de una técnica y paciencia extrema, con un resultado que seguramente los dejara asombrados.
Sitio oficial: Brian Dettmer
Born 1974, Naperville, IL
BRIAN DETTMER is a New York-based artist known for his detailed and innovative sculptures with books and other forms of antiquated media. Dettmer’s work has been exhibited internationally in numerous solo and group exhibitions at galleries, museums and art centers including the Smithsonian (D.C.), Museum of Arts and Design (NY), Virginia Museum of Contemporary Art (VA), Museum of Contemporary Art (GA), Museum Rijswijh (Netherlands), Wellcome Collection (England), the Bellevue Arts Museum (WA), The Kohler Arts Center (WI), and the Illinois State Museums (IL). His work has been featured on the CBS Evening News, The New York Times (US), The Los Angeles Times (US), The Guardian (UK), The Telegraph (UK), Chicago Tribune (US), The Age (AU), ARTnews, Modern Painters, Wired, The Village Voice, Harper’s, Esquire, and National Public Radio among others. Dettmer’s work can be found in several public and private collections throughout the US, Latin America, Europe, Australia, and Asia. Statement
The age of information in physical form is waning. As intangible routes thrive with quicker fluidity, material and history are being lost, slipping and eroding into the ether. Newer media swiftly flips forms, unrestricted by the weight of material and the responsibility of history. In the tangible world we are left with a frozen material but in the intangible world we may be left with nothing. History is lost as formats change from physical stability to digital distress.
The richness and depth of the book is universally respected yet often undiscovered as the monopoly of the form and relevance of the information fades over time. The book’s intended function has decreased and the form remains linear in a non-linear world. By altering physical forms of information and shifting preconceived functions, new and unexpected roles emerge. This is the area I currently operate in. Through meticulous excavation or concise alteration I edit or dissect communicative objects or systems such as books, maps, tapes and other media. The medium’s role transforms. Its content is recontextualized and new meanings or interpretations emerge. Process
In this work I begin with an existing book and seal its edges, creating an enclosed vessel full of unearthed potential. I cut into the surface of the book and dissect through it from the front. I work with knives, tweezers and surgical tools to carve one page at a time, exposing each layer while cutting around ideas and images of interest. Nothing inside the books is relocated or implanted, only removed. Images and ideas are revealed to expose alternate histories and memories. My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception.